“Part(s) for display” is partly a contribution to an exhibition, partly the display for the exhibition itself – it is mainly about parts.
“Part(s) for display” is one more stepping stone within the research of THEVERYMANY / Marc Fornes into “Explicit and Encoded” (1) protocols of design driven toward “Precise Indetermination” (2)
(1) “Explicit” because the result of clear sets of instructions, manipulations, algorithms - and “Encoded” because written within scripted or programming languages
(2) “Precise” because control through numerical variables and always reproducible – and “Indetermination” because very often more complex than the sum of its custom simplicity.
“Part(s) for display” assembly is written within a current investigation at a series of different scale:
- the overall: development of protocols of surface relaxation - in order for the surface to generate best fit curvature in response to fix hanging or support points (floor, ceiling, walls) as curvature - despite generating apparent complexity - also provides natural structural stiffness.
- surface description (or sampling): re-understanding the resultant surface as series of points - which densities are relative to the degree of curvature – the more curvature the more points and eventually parts.
- surface reconstruction (or tessellation): previous work focused on describing complex surfaces with flat components – after working for different “high end” architectural and design practices - the only way to keep pushing non standard environments is to introduce the economy of parts as part of the equation – therefore early tests were first looking at ways to triangulate complex surfaces – and therefore strategize on panels cut within flat sheets of material – which very quickly evolved toward what is now the trendy “arrays of quads” components paradigm. “Part(s) for display” is now investigating the reconstruction of a surface with polygonal parts going from three edges to (n) number of edges.
- informed customization: each part is similar though not identical – its change of size and proportion is therefore allows to describe different radius of curvature – but also local re-reading of orientation is driving the length and width of branches – the flatter, the wider in order to provide more surface alike coverage.
THEVERYMANY / Marc Fornes, Skylar Tibbits, Mathew Staudt, Jared Laucks
#Sum of its parts:
2 surfaces (Top & Bottom)
3 people for design & development
4 boxes from York Pennsylvania to New York
0.04î thick Golden Anodized Aluminum
24 sheets 4*8
8 days to CNC cut
4 749 individual panels (from 2 to n edges)
4 749 tags (3 to 5digits)
16 891 holes
10 000 rivets (20 boxes)
2 pneumatic rivet guns
7 hand rivet guns
3 days installation
25 people involved
#Many thanks to all the helpers & support from:
Alissia Melka-Teichroew
Claire Warnier
Dries Verbruggen
Jan Habraken
Lucas Maassen
Brandon Kruysman
John Proto
Kristina Kastro
Trevor Horst
Veronica Emig
Claudia Corcilius
Thomas Lommée
Charles Vala
Felipe Sarmiento
Leopold Lambert
Martign Deurloo
Sergio Mannino
Alex Timmer
Remon Van Den Eijnden
Steve Breman
Tyche Van Eijndhoven
React!